Expedition: Freedom

A performance by Kollaborativet – Ellen Spens, Lisbeth Hagerman, Charlotte Elm Ravn.

Costumes: Kollaborativet and Chiara Pellizzer.

Photo: Jacob Ravn

After one weeks intense creative process, the performance Expedition: Freedom met the audience at the small and beautiful festival Backafestivalen in Baskemölla, at Österlen. It turned out to be a kind of  site-specific dance performance, lasting for about 30 minutes. We were asked to do something for children, but honestly we didn’t think about age while working. According to the questions afterwards we though succeeded in triggering the kids fantasy and making them a bit confused. What are you supposed to be? What are you doing? Why? After the performance it was also clear that this isn’t a completed piece, but a work in progress. We got some interesting response from inspired people and we probably will continue the process collaborating with other artists, at other locations and in other medias. What happens if we are in a forest, in an industrial area, in a sand deposit? What happens if a graphic designer directs us? And what would a musician do with the piece? Maybe it is also a photo project, a film , a …

Culture – a feministic affair

In Simrishamn the budget process for 2014 is going on and there is an imminent risk that big reduction is made in the budget for culture, a field that the municipality already takes too little responsibility for. This would be a disaster! Culture is an invaluable part of the society’s heart and deals with what we people have in common. We therefore have to take a communal and long-term responsibility for culture!

In Skåne, every fifth man would vote for the Swedish Democrats if there were general election today. Some of these votes we can find here in Simrishamn. In Sjöbo we find The Swedes’ party, the continuation of National Socialist Front, who aims for Sweden to be ethnic homogenous. Their party manifesto say’s that ”The democratic system is one of the main reasons for the chaotic situation that is more and more spread.” Dreams about pure ”Swedishness” and closed borders, is an impossible wish to systematise away the complexity of life and it goes hand in hand with a retrospective and conservative view on culture. The neo-nationalistic and xenophobic movements have always seen culture as a central issue. As a counter power, we want to insist on cultivating our empathy and fantasy and to never stop thinking autonomously – that means not letting us be driven by preconceptions and stereotypes.

For everybody that wants an equal and democratic society, free from discrimination, violence and exploitation of humans and nature, a new comprehensive view on politics is needed and that we put collaboration before concurrence.

The idea of welfare has to be filled with new values built upon diversity and the wish for it to be possible for people with different basic values and lifestyles to live side by side. The human being is in first hand a cultural, not an economical, being. Therefore, culture is an important political issue and a power that has to be included in all political areas.

Cultural values – complexity, empathy and relations, feelings and the sensuous, are female values according to western traditions. Moreover, they are put in contradiction to de male systematic logic rationality. This is a reason why you always find culture in the bottom of the political agenda. That makes culture a feministic affair!

Charlotte Elm Ravn (Feministic Initiativ), member of the board of culture and leisure, Simrishamn

Camilla Backman (Feministic Initiativ), member of the board of culture and leisure and in the city council, Simrishamn

Gudrun Schyman Feministic Initiativ), member of the city council and the municipality, Simrishamn

Debate article published in the local newspaper Ystads Allehanda, 2013-05-04

Butoh introduction with Anita Saij

Anita Saij at Nordic School of Butoh

I have now been taking my first steps into the world of Butoh. This weekend I attended a workshop in Copenhagen where Anita Saij introduced her Butoh body work. It was inspiring and challenging, both physically and mentally, and very much what I hoped for. It feels so right for me to work with the connection between body, mind and spirit – a fusion between art and philosophy.

We worked outdoors and indoors at Christiania, and with the connection between the outside world and the inside world. We did exercises where we were blindfolded and the body had to read the surroundings and find it’s way by itself. And we did exercises where we had to create a universe inside and let the body transform as a response to the mind.

We also did technical exercises to recreate the natural body – strong and open and ready to act. One basic thing with Butoh, as I understood it,  is to work to release the body to be able to work by itself. Another key thing is that the body is a part of the nature and has a kind of collective memory. It is full of experiences.

I could connect the new information and experiences to my knowledge about and experience from puppet theatre, mime, yoga and zen-coaching and I really want to go further into Butoh…

ANITA SAIJ: 
International renowned performer and teacher through 25 years within experimental dance, theatre, somatic practice and movement philosophy. Direct students of the co founder and great elder master Kazuo Ohno. Anita Saij was the first European teacher; dancer and choreographer practicing thoughts and technique of the original Japanese Butoh. Her teaching, lectures and performances have been around many cultures, institutes and theatre from the traditional to the avant-garde. She founded the international priced performance group Theatre Dance Lab.1986, Academy Nordic School of Butoh 2003 and since 2008 director of the international dance, performance and life art education Art Human Nature at the European supported Art Culture Center at the Island Bornholm, Dk.

http://www.nordicbutoh.dk/